The transcendent, otherworldly quality of Venosa's art fits perfectly into the Sci-Fi genre of film design. Dune, Fire in The Sky, and Race For Atlantis are three movies for which Venosa has created his unique style of conceptual design.
When Robert Venosa left his native New York City and found a new home in Cadaques, Spain in the early 70s, he became a regular with his ‘neighbor’ Salvador Dali. Their relationship was based on exchanging exciting trends in art and consciousness.
As with most artists, Venosa found his own technique by taking elements of what Fuchs and Klarwein taught and added his own personal touch to arrive at a style - which was ever evolving - the uniqueness of which is evident in the following catalog of his work.
Venosa's imagery enfolds us with its magical power - truly a mythology for our times". In his confrontations with the transpersonal, other-worldly offerings of the entheogens, Venosa discovered the magic and magicians of the Fantastic/Visionary world of art.
"Some years ago, I had a vision..... It happened in a nanosecond: A brilliant, jewel-encrusted, overwhelmingly beautiful angelic-looking being flashed in my mind’s eye, shocking and compelling me to attempt a rendering of this astonishing vision.
While the largest portion of Robert Venosa's art was created in the classical medium of oil on canvas, he nevertheless enjoyed 'dabbling' with the digital medium and created some works that are a digital manipulation of his original paintings and drawings.
The transcendent, otherworldly quality of Venosa's art fits perfectly into the Sci-Fi genre of film design. Dune, Fire in The Sky, and Race For Atlantis are three movies for which Venosa has created his unique style of conceptual design.
Robert Venosa began his career as comercial artist and art director for CBS. In 1971 he created the SANTANA logo for 'Abraxas' as well as the completed album design, featuring Mati Klarwein's painting "Anuncion' on the cover.