The Bikeriders is a 2024 crime drama inspired by the real-life photo book by Danny Lyon, following the rise and fall of a fictional motorcycle gang called the Vandals, portrayed by an ensemble cast ...

Evanescence’s return with Afterlife, written for the Netflix anime adaptation of Devil May Cry, is anything but subtle. Released on 27 March 2025, the track marks the band’s first new music in four ...

Tom Hardy’s MobLand isn’t just a crime drama-it revisits the shadowy legacy that made Taboo a cult phenomenon.

Sleep Token’s “Ascensionism” explores obsession, surrender, and duality through haunting lyrics and genre-defying sound.

R.E.P.O. is a chaotic co-op horror game where physics, monsters, and loot collide in one of Steam’s biggest viral hits.

MUANH’s Ever Since floats in that strange middle ground where loneliness starts to feel like home. Built from a simple ...

The Feather’s new single BB moves like a warm breeze through an ‘80s skyline—built on analogue synths, soft snares, and a ...

Written during a period of emotional reflection, Alexa explains, “It keeps happening / again and again and again” —a line that anchors the entire track in a kind of emotional déjà vu. There’s no neat ...

Gemma Laurence’s Bloodlines is a raw indie-folk single about love, trauma, and memory from her upcoming album.

Bad Flamingo’s Miles blends gothic blues and indie rock to explore lost love, longing, and a haunting sense of distance.

Ssiblings’ Priority is a dreamy alt pop track that captures love, presence, and the beauty of everyday moments.

Happy Death Day 3 is officially greenlit with Jessica Rothe returning and a new sci-fi twist teased by director Chris Landon.