It is quite an interesting choice for the largest film festival in the Netherlands to close with a film that explicitly denounces the violence of Dutch colonialism in Indonesia, but one can always ...

The New Yorker, now celebrating its centenary, has defied media trends by giving an unusual amount of control to the artists ...

The New Yorker’s longtime art editor Françoise Mouly discusses the year-long creative process behind its “cover extravaganza” ...

As The New Yorker turns 100, its art editor Françoise Mouly says the magazine's distinctive covers are meant to give readers ...

This year’s closing film, Mouly Surya’s “This City Is a Battlefield,” takes place in Jakarta in 1946 as Nationalist leaders have declared independence but the city remains under Dutch ...

Director Mouly Surya’s elaborate depiction of the Indonesian resistance in post-WWII Jakarta keeps a tight focus on its characters as it grapples with broad themes of Dutch colonisation and fractured ...

"The New Yorker" is celebrating its 100th anniversary. Art editor Françoise Mouly reflects on the magazine's distinctive look.

The character and artwork was meant to be an "image of sophistication and making fun of itself at the same time," Françoise Mouly, who has served as the magazine's art editor for 32 years ...