In a statement, Binoche remarked “I’m looking forward to sharing these life experiences with the members of the Jury and the public. In 1985, I walked up the steps for the first time with the ...

In case you don’t know, the awe-inspiring friendship between the two manga legends, Masashi Kishimoto and Eiichiro Oda has been for a very long time. It all started with their mutual respect and ...

It is directed by Masaki Watanabe, written by Taku Kishimoto, and features music by Yuki Hayashi, with animation handled by TMS Entertainment. Viz Media, which licenses the manga in English ...

The new president replacing Minato is Kenji Shimizu, known for being a producer on such anime as Dragon Ball Z, Yu Yu Hakusho, Osomatsu-kun, several Gegege no Kitarō works, Dr. Slump & Arale-chan ...

Jamie Lee Curtis said it best upon being nominated for her 2023 Oscar for Everything Everywhere All At Once: “I’m 64 years old. I’ve been an actor since I was 19. I made horror films and sold yogurt ...

Everyone remembers their first time becoming a piece of furniture, especially Juliette Lewis. In By Design, which premiered at Sundance, she plays a woman whose body swaps with a chair ...

PARK CITY, Utah — In her latest movie, “By Design,” actress Juliette Lewis stars in a very Sundance-y work of art. The tagline reads, “A woman swaps identities with a chair, and everyone likes her ...

PARK CITY, Utah — The 2025 Sundance Film Festival is officially underway, which means we’re back on Main Street documenting the actors, writers, directors and documentary subjects shaping the ...

Juliette Lewis as a chair in the body-swap satire “By Design”; and the new music documentary from Oscar winner Questlove, “Sly Lives! (aka The Burden of Black Genius).” And all of that on ...

opening on three women—Camille (Juliette Lewis), Lisa (Samantha Mathis) and Irene (Robin Tunney)—as they meet for their weekly lunch. Like an adult version of the Heathers of Heathers ...

played by a fantastic and committed Juliette Lewis, plus her two friends. The voiceover shifts into being biting as the camera notably pulls away. Gone is Griffith’s effusive affection and in ...