An old saying goes, ‘One daffodil is worth a thousand pleasures,’ but for one woman, all of her stolen daffodils are making ...

The Woman in the Yard is a depressing follow-up to Carry-On for director Jaume Collet-Serra and star Danielle Deadwyler. Like a tangled weed that curls and twists about with no apparent rhyme or ...

Subscribe to our morning newsletter, Crash Course. "The Woman in the Yard" dissolves into a mess right after. Ramona is emotionally distant and prone to fearsome outbursts, notably berating Annie ...

“Mom, there’s a… woman in the yard.” This could be a laughable line in a high-concept movie so literal-minded that its entire plot is revealed not only in the trailer (a common ...

A movie so scattershot and scare-free that it’ll only inspire impersonations of Clint Eastwood growling “Get off my lawn!,” The Woman in the Yard is a depressing follow-up to Carry-On for director ...

Some genre movies grow and transform. Others, like Jaume Collet-Serra's The Woman in the Yard, metastasize. What begins as streamlined (if slightly unbalanced) modern folk horror soon bloats into ...

But “The Woman in the Yard” comes pretty close. It’s like a haunted-house movie with no tricks up its sleeve. It opens with the central character, Ramona (Danielle Deadwyler), laying in bed ...

Jaume Collet-Serra’s The Woman In The Yard is a feature that breaks that contract. It sports a high concept idea that is compelled by a singular haunting image, and it keeps you on the hook ...

The latest from Jaume Collet-Serra revolves around a family who becomes rattled by a mysterious stranger who shows up at their isolated farmhouse. By Frank Scheck The metaphors weigh heavily in ...